New PDF release: Against direct perception (Article, Peer Commentary,

By Shimon Ullman

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Extra info for Against direct perception (Article, Peer Commentary, Author's Response)

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Sight-reading musiC, following a spoor in a jungle, driving a car. perceiving botanical or geological structures? To a suitably experienced person, these processes have the same subjec· live ease and immediacy as trle simplest perceptions. · edge. II is quite remarkable how little the absence of these ambiguity resolvers affects our perception of scenes involving familiar objects. Try, for instance, covering and uncovering one eye, repeatedly, with your head quite still. A small peephole will help to eliminate information provided by accommodation and head movements.

4. Unaided and unrestricted exploratton. A continuum that 'spans the range from direct to indirect perception Is described in Mace's commentary. "Direct" corresponds to natural viewing and active exploration. Viewing a scene via u telescope is less direct, viewing a picture of the scene is less direct still, and a ,verbal description ls the least direct (most indirect) source of"knowledgc about the scene. 5. on between st-tmuli and percept. Mackworth cites the dictionary definition of "direct" as "with nothing coming in between" or "without mediation," and argues that DVP means a one-stage process.

It is upon these descripons it that the motion computa· lor the kineic t depth effect, can be adopted to ftnction successfully here as well. Moreover, it would appear that the vertex is not explicitly available to the motion computation because, if It were, then one would expect to see it in motion. Validation lor the latter claim can be derived Ullman has provided a comprehensive and Incisive critique of Gibson's (DVP) theory. I would like to add to UDman's presentation a brief discussion of two questions - what is really new in OVP, and how successful has it been In enlarging our knowledge of perceptual experience?

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Against direct perception (Article, Peer Commentary, Author's Response) by Shimon Ullman


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