By Xiaoping Lin
ISBN-10: 0824833368
ISBN-13: 9780824833367
Kids of Marx and Coca-Cola presents a deep research of chinese language avant-garde paintings and autonomous cinema from the mid-1990s to the start of the twenty-first century. knowledgeable by way of the author's event in Beijing and New York--global towns with wide entry to an emergent transnational chinese language visible culture--this paintings situates chosen works of art and movies within the context of chinese language nationalism and post-socialism and opposed to the history of the capitalist globalization that has so appreciably affected modern China. It juxtaposes and compares avant-garde artists and autonomous filmmakers from a few intertwined views, really of their shared avant-garde postures and perceptions. Xiaoping Lin offers illuminating shut readings of various visible texts and creative practices, together with deploy, functionality, portray, images, video, and movie. all through he sustains a theoretical dialogue of consultant artistic endeavors and movies and succeeds in delineating a variegated postsocialist cultural panorama saturated by way of marketplace forces, harassed values, and misplaced religion. This clean procedure is because of Lin's skill to take on either chinese language paintings and cinema carefully inside of a shared discursive area. He, for instance, aptly conceptualizes a primary thematic drawback in either genres as "postsocialist trauma" irritated via capitalist globalization. by way of hence focusing solely at the parallel and sometimes intersecting events or phenomena within the visible arts, his paintings brings a couple of fruitful discussion among the slim box of conventional artwork historical past and visible reports extra quite often.
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Additional resources for Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema (Critical Interventions)
Example text
121 Yet the study also states that China’s national brands are competing with international ones such as Coca-Cola for “the hearts and wallets of China’s dynamic youth” and that many brands like Jianlibao are appealing to national pride as part of their offering to the market. 122 Once called “China’s magic water,” Jianlibao was established as a state-owned sports beverage maker in the 1980s. It dominated the soft drink market in the early 1990s but could not compete with Coca-Cola, which re-entered China in 1979.
In a novel, A Bachelor in Beijing (Beijing de danshen nanren), female writer Chen Wei recounts this social trend through her heroine’s (a young female painter named Bohe) soliloquy: Discourse and Displacement 39 In fact, the authors [of such literature] do not encourage people to have extramarital affairs; they simply see marriage as an allusion to tradition. A modernist advocates eloping with a lover fearlessly, yet a postmodernist champions a brave love without damaging the family in the end.
From the country, the youth’s father sends his daughter to look for her “missing” brother, but the girl too is lost in an underworld of crime and prostitution in the city. A retired policeman solves the crime but is killed in the car driven by the gang leader, who has profited from the robbery. ” 106 The father is a residual figure from Mao’s socialist China who was denounced in the Anti-rightist Campaign in 1957 and sent to the countryside for forty years. The daughter and her brother belong to a young generation that escapes an impoverished countryside to seek a better life in the big city.
Children of Marx and Coca-Cola: Chinese Avant-Garde Art and Independent Cinema (Critical Interventions) by Xiaoping Lin
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