By Roger D. Sell, Chilpa Project
ISBN-10: 1588112586
ISBN-13: 9781588112583
ISBN-10: 9027226423
ISBN-13: 9789027226426
ISBN-10: 9027297290
ISBN-13: 9789027297297
During this ebook, participants of the ChiLPA undertaking discover the kid's literature of numerous various cultures, starting from historic India, 19th century Russia, and the Soviet Union, to 20th century Britain, the US, Australia, Sweden, and Finland. The examine covers not just the shape and content material of books for kids, but in addition their strength social services, specifically inside schooling. those views are introduced jointly inside a concept of kid's literature as one amongst different kinds of communique, an process that sees the position of literary students, critics and academics as considered one of mediation. half I bargains with the way in which kid's writers and picturebook-makers draw on a culture's to be had assets of orality, literacy, intertextuality, and photograph. half II examines their negotiation of significant matters comparable to the kid grownup contrast, gender, politics, and the Holocaust. half III discusses kid's books as used inside of language schooling programmes, with specific cognizance to younger readers' pragmatic processing of variations among the context of writing and their very own context of studying.
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Additional resources for Children's Literature As Communication: The Chilpa Project (Studies in Narrative, 2)
Example text
40 Janina Orlov And ironically enough, The Tale’s sophistication lies in placing the ideology within which it was composed under problematizing scrutiny. Pushkin’s response to the oral tradition’s beautiful simplicity, strong narrative pulse, and otherworldly charm was ebullient enough. But he did have, it would seem, some hesitations. It is as if he was saying that, ultimately, the power of words is always limited, quite irrespective of whether they are spoken within an oral culture or written within a literate.
In this particular fable, the most significant thing which happens when the elephants rush into the water is that many of the hares who live along the lakeside are trampled on and killed. As a result of this catastrophe, serious tensions arise between the two species. What is central to The Pañcatantra is just this kind of conflict between the weak and the powerful. So does this make it a kind of mirror for magistrates? Is its aim to educate the young of a ruling, literate class in the ways of government and justice?
Or is it at least closer to understanding than the way they read non-narrative texts in English? As a form of communication, is narrative perhaps more basic and more easily assimilable? In answering these questions, Kokkola draws on cognitive theory as embodied in Bruner’s account (1986) of the “narrative mode” of understanding, and Egan’s account (1988a & b) of “mythic thought”. Her suggestion is that storylogic may indeed be intellectually fundamental, a hypothesis which her analysis of readings of particular texts by particular young Finnish children strongly supports.
Children's Literature As Communication: The Chilpa Project (Studies in Narrative, 2) by Roger D. Sell, Chilpa Project
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