Code Drift: Essays in Critical Digital Studies by Arthur and Marilouise Kroker (Editors) PDF

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Sample text

Be picture. [36] The move to 'picture' the logic of techne as the basis of an age that, for a variety of reasons, could grasp/gather 'the that which lies before us as ground' at once tore the 'present' away from the impossible inhabitation of the Hegelian dialectic. Indeed, with the Heideggarian move, the 'present' that the This thus named, was precisely the interlocking tango of identity and difference, and, more than that, it was the poetics of the move which made it flourish, become 'real' and 'make' history.

Or, to put this slightly differently, it is to say that this 'impossible' non-representational moment of the 'This', is both the expression and presencing of an abstract 'otherness' whilst, simultaneously, also expressing/ presencing a radical fluidity of movement. A rhetorically demanding Hegel explains it thus: §95. ] What is the This? If we take the 'This' in the twofold shape of its being, as 'Now' and as 'Here', the dialectic it has in it will receive a form as intelligible as the 'This' itself is.

20] In short, it meant trying to figure out how to 'picture' -without the visuals -- the becoming-sunflower of Van Gogh's right ear. A-side the B-side: Learning (Attunement as the task of art) how to listen But to give the 'outside of thought' a kind of coherence so that it, too, would not be in debt to the arboreal authority-voice of its makers, required yet another subtle move. Speaking as they often did with 'a single tongue', Deleuze and Guattari thus dined out in several parallel universes at the same time.

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