ISBN-10: 0231136218
ISBN-13: 9780231136211
Showing for the 1st time in English, the writings during this assortment mirror the most leading edge and influential paintings through jap intellectuals lately. the amount bargains a unprecedented and much-needed window into the an important rules and positions at the moment shaping jap concept (shiso).
In addressing the political, historic, and cultural concerns that experience ruled eastern society, those essays pass various disciplines, together with literary thought, philosophy, background, gender reports, and cultural stories. individuals learn Japan's imperialist and nationalist earlier in addition to representations and remembrances of this heritage. in addition they critique contemporary efforts in eastern right-wing circles to erase or imprecise the extra troubling points of Japan's colonial firm in East Asia. different essays discover how Japan has seen itself in regard to the West and the advanced impression of Western concept on eastern highbrow and political life.
The volume's groundbreaking essays on problems with gender and the contested position of feminist concept in Japan talk about the similarities among the emotional bullying of ladies who don't settle for conventional gender roles and teasing in colleges; how the japanese have followed parts of Western orientalism to discredit feminism; and old buildings of jap motherhood.
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Additional info for Contemporary Japanese Thought
Sample text
It is unfortunate that Ōe, despite his great importance as a writer, fails to understand that a plurality of possible national identities available to an individual does not necessitate choosing one true identity from among them. What is more, this absence of identity opens up in turn the possibility of identification, but the necessary consequence of this transition from identity to identification means that the latter is now radically contingent. Prior to this invasion, there existed no fixed geopolitical-cultural space in the region, thereby rendering any sense of Asian unity impossible” (p.
33 In this merging of bun with écriture, a historically delimited literary form is radically opened up so as to signify something like an original site of possibility (kanōsei), from which it then becomes possible to launch a critique of actuality (genjitsusei). These possibilities were unfortunately never realized, but what is of significance here is the pivot Karatani makes from history (the genre of bun) to philosophy (écriture qua general possibility) and then back again to history (those specific possibilities available in early Meiji).
He finds his answer in aesthetics, which he defines essentially as an overcoming of contradictions. As with the case of Karatani’s use of the Barthesian term écriture, however, this definition of aesthetics differs substantially from those of Kant and Hegel, to which he nonetheless makes reference. The merits of this move can be debated, but the political intent is admirable, as Karatani seeks to demonstrate that the symposium’s “overcoming of modernity” was purely imaginary in its failure to resolve the actual contradictions at hand.
Contemporary Japanese Thought
by Mark
4.1