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By Charles Dubreuil

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Philippe and Chantal are lovers; Nico knows that. And yet he can’t quite believe it, now that he’s spent some time with them. They’re shadow and sunlight. What would draw Chantal to the dark corners of Philippe’s life? But then he remembers the first time he saw them together at a meeting at the school. They stood against the wall in the back of the classroom. Philippe wrapped his arms around Chantal and she leaned back into him. They both looked dreamy and slow, as if they had spent the day in bed together and had thrown on clothes at the last minute to make it to the meeting.

Every photo—and the photos are huge, pressing the limits of each room—is of Marilyn. Marilyn with her head tilted back, a sated smile on her face. Marilyn drawing on a cigarette. Marilyn puckering up. Marilyn with her hand resting on the curve of her hip, stretched out on a couch, offering herself up. Love me. “She killed herself three days after this photo shoot,” Nico says, reading from the brochure. “You can see that she was ready,” Josie says. ” “To give herself up to death. ” Josie looks at him.

She looks back. “I am done with all this,” she says. ” She offers a dazzling smile, something full of hope for something else, someone else. Nico watches her leave. He tries to hold her in his view as long as he can. The sun ducks behind a cloud and then reappears, bathing the street in new light. Chantal disappears into the entrance of the métro. Nico pulls the paper out of his back pocket and opens it. Josie Felton. He looks at his watch. It is time. osie is surprised that her tutor is a man, that he is young, and that he is startlingly handsome.

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Deux Annees en Ukraine (1917-1919). by Charles Dubreuil


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