By Victor Kiernan
ISBN-10: 1783606908
ISBN-13: 9781783606900
Contributor note: Terry Eagleton (Introduction)
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Shakespeare’s period, ruled through social and monetary upheavals, additionally observed a rise in tragic drama. The playwright’s well-known 8 tragedies, Kiernan argues, symbolize the creative expression of a brand new social and political awareness that permeated each point of existence.
Eight Tragedies of Shakespeare provides an in-depth research of every tragedy, analyzing routine subject matters in a old context and exploring attitudes on the time towards monarchy, struggle, faith, philosophy, and transferring gender roles. A shiny and soaking up portrait of a author and his instances, Eight Tragedies of Shakespeare is a wealthy source for somebody looking for radical new perception into the lifetime of the world’s maximum dramatist.
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140– 212). qxd 20/5/08 2:14 PM Page 45 What is Honour? Politics and Political Theory 45 (124), but it is plainly also a matter of expediency if not outright desperation on Richard’s part, and it bodes more trouble. The responses of various members of the royal family to the aborted trial and banishment are interestingly varied. Woodstock’s widow, as we have seen, cries out for blood. Hers is the ethic of revenge, as old at least as the demands of Aeschylus’s Erinyes or Furies (in the Eumenides) for the death of any person guilty of a crime against the ties of blood kinship.
288). Claudio is Benedick’s friend and fellow officer. For Benedick to challenge Claudio and thus incur the enmity of him and of their commanding officer, Don Pedro, is a heavy burden indeed. Yet Benedick, unlike these men, has seen that something is seriously askew in the accusation brought against Hero by Don John, even if that accusation is backed by the seeming proof of what they saw at Hero’s window on the night before her wedding. Benedick’s own admirable scepticism, combined with his respect for Beatrice’s insistent faith in Hero, gives to him a complex and mature view of human relationships that sets him apart from most of the other men in the play.
751–5). The men have a lot to learn. 1595) are paired symmetrically two and two, like the four couples of Love’s Labour’s Lost, and with a similarly instructive contrast of male vs. female behaviour. qxd 20/5/08 2:14 PM Page 25 Lust in Action: Sex and Gender 25 waver in their romantic attachments, Hermia for Lysander and Helena for Demetrius. Helena’s loyalty is all the more astonishing in view of the contempt that Demetrius heaps on her for most of the play, along with a warning that he may just rape her if she doesn’t stop tagging along after him in the forest.
Eight Tragedies of Shakespeare by Victor Kiernan
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